Showing posts with label Holly Race. Show all posts
Showing posts with label Holly Race. Show all posts

Wednesday, 25 November 2020

UK YA Spotlight: Harrow Lake by Kat Ellis and Good Girls Die First by Kathryn Foxfield - Holly Race

I haven't managed to read much over the last few months, as I rather foolishly decided to take part in NaNoWriMo to write book four, at the same time as editing my second novel. But the books I have read have been stunning. Proper, decide-to-let-the-toddler-sleep-in-dangerously-late-so-I-can-finish-this stunning.

The two books in question are both horrors: Harrow Lake by Kat Ellis and Good Girls Die First by Kathryn Foxfield.


Lola Nox is the daughter of a celebrated horror filmmaker - she thinks nothing can scare her. But when her father is brutally attacked in their New York apartment, she's swiftly packed off to live with a grandmother she's never met in Harrow Lake, the eerie town where her father's most iconic horror movie was shot.

The locals are weirdly obsessed with the film that put their town on the map - and there are strange disappearances, which the police seem determined to explain away.

And there's someone - or something - stalking Lola's every move.

The more she discovers about the town, the more terrifying it becomes. Because Lola's got secrets of her own. And if she can't find a way out of Harrow Lake, they might just be the death of her...

This is the first of Kat's novels that I've read, but it certainly won't be the last. There's more than a little Stephen King in her writing, but the characters are rich with spikes and hidden trauma. I've seen a lot of people compare Harrow Lake to The Babadook, and that film sprang to my mind too. While the supernatural occurrences in Harrow Lake are creepy enough to keep you up at night, wondering if you, too, can hear Mr Jitters sliding into your room, the psychological roots of the story are equally strong. The ending left me sobbing and giving the air a little victory punch in equal measure.

Buy Harrow Lake on

GOOD GIRLS DIE FIRST, Kathryn Foxfield

Blackmail lures sixteen-year-old Ava to the derelict carnival on Portgrave Pier. She is one of ten teenagers, all with secrets they intend to protect whatever the cost. When fog and magic swallow the pier, the group find themselves cut off from the real world and from their morals.

As the teenagers turn on each other, Ava will have to face up to the secret that brought her to the pier and decide how far she's willing to go to survive.

As with Harrow Lake, the atmosphere of the setting is one of the stars of this book. But there's more of an Agatha Christie, And Then there Were None vibe to Kathryn's debut novel. Secrets, and the ramifications of holding on to them, is the glue that holds together Ava and the other teenagers who find themselves on Portgrave Pier. Kathryn does an incredible job of making us feel for so many of the characters, despite some of the things they've done or find themselves doing. The momentum of the book swept me up and by the end I was delaying work meetings so that I could find out what happened!

Buy Good Girls Die First on


Holly Race worked for many years as a script editor in film and television, before becoming a writer.

Her debut novel, Midnight's Twins, is published by Hot Key Books. She also selectively undertakes freelance script editing and story consultant work.

Sunday, 25 October 2020

Samhain and the Space between the Worlds - Holly Race

When I was ten (a very, very long time ago), my parents took me for a ride on Midsummer's Eve. My pony, an ageing but sprightly, speckled creature called Cobweb, was my best friend and one of my favourite pastimes was making up adventures for us to go on.

On this Midsummer's Eve, my parents told me that the fairies had heard of how wonderful Cobweb was, and left a present for us. I just had to canter up this hill and keep a close eye on the ground. Far from the main road, canopied by oaks and birches, Barrington Hill was a magical place for me anyway, but never more so than at that moment. That evening, as Cobweb and I cantered up the path, I dutifully kept my eyes peeled for signs of fairies.

Was that gold dust on the ground, or just the sunlight playing through the leaves?

What's that up ahead, on the side of the path? A tree trunk... but what's on it?

I slowed Cobweb to a halt and stared at the trunk. On it, amidst flurries of gold dust, was a tiny, golden horseshoe. A fairy horseshoe.

I can see now that it's plastic, but at the time it felt like fairy gold!

The horseshoe lives in a book of memories about Cobweb, but the item itself isn't what's important. I still vividly remember the heat of the evening sun on my back, and the way it sent its shimmer through the trees so that I felt as though I was riding through haze. It was a Midsummer feeling - that feeling that true magic is not far away, if only we could lift the veil between the worlds.

In a few days time, Samhain will be upon us. Pronounced Sauw-en, it's an old Pagan festival marking the start of Winter, and traditionally it is one of the times when the barriers between our world and the 'otherworld' are at their thinnest. Over the centuries Samhain has been amalgamated into All Hallow's Eve, and then into Halloween. Our calendars are peppered with the ancient ruins of pagan festivities. Some, like Samhain, have been commercialised. Some have been picked apart and used to create new celebrations, like Ostara - now Easter. Some remain only as a feeling - a change of mood as the nights close in or grow longer - like Beltane, which marks the beginning of Summer.

In my book, Midnight's Twins, the knights' calendars are still governed by these old dates. Samhain has particular meaning for me now because it is the day when new knights - and my main characters - are called to the otherworld, Annwn. Samhain is the start of my story, and Beltane marks the end of the book.

But really, we all tell stories at these times of year, don't we, in our different ways? Maybe we go out looking for pumpkins, or read ghost stories under the covers. In Iceland, 'jolabokaflod' is the simply excellent tradition of gifting books on Christmas Eve, then reading them through the night. One of Shakespeare's most loved plays is set at Midsummer, when the fairies come to the woods outside Athens to wreak havoc with mortals.

Maybe we're still trying to make sense of the changing of the seasons, in the same way that the Greeks told the myth of Demeter, Persephone and Hades to explain the oncoming of Winter and the dying of the crops. We may on an intellectual level understand that the rotation of the earth relative to the sun is what causes the seasons. On a primal level, though, we still fall back on old stories and superstitions as the smell in the air changes and our moods shift.

Cobweb inspired so many of my stories, both as a child and an adult.

Or perhaps we truly are sensing the fragility of the fabric between the worlds, and the stories at these times of year are summoning ghosts from beyond the veil. For me, I'll keep chasing those fairy horses.

Friday, 25 September 2020

Embracing Procrastination - by Holly Race

"Procrastination is the thief of time. Collar him!" So said Charles Dickens.

Sorry Charles, but I’m going to disagree with you.

Procrastination is one of my core skills. The kind of skill you put at the top of your C.V.: Holly is a passionate and dedicated worker, with great attention to detail and a particular affinity for procrastination.

But we're told that procrastination is something to be ashamed of. We guiltily joke about it with our friends and use it as a stick to beat ourselves with. Personally, I used to spiral - I'd feel so bad about the amount of time I was spending procrastinating that I'd end up writing off the whole day. A proper throwing my toys out of the tub moment: 'If I haven't done anything useful by 1pm, I'm not going to, am I?'

But what if we could start to see procrastination as a Good Thing?

Over the last few months I've come to realise that there are types of procrastination that have allowed me the headspace to work up an appetite for writing when I was in a slump, or have given me the distance I needed from a plot problem in order to solve it. So I've rated my procrastination methods here, on a scale of 1 to 5, on how useful they were in helping my writing. That's right, I've done the procrastination deep dive so you don't have to (unless you want to, or unless you're already too far down to see the surface, in which case - keep going and you'll eventually come out the other side).

Browsing social media (1/5)

We all know this already, but scrolling endlessly through Twitter is not conducive to either low blood pressure or inspiration. If you want a good kick to get off social media, watch The Social Dilemma on Netflix. I guarantee you'll be horrified at exactly how these platforms manipulate our thought patterns. Some of us need to have social media accounts in order to promote our work and, at a time when we're all socialising online more, to keep in touch with friends. But this is definitely one to limit to times where you don't need to be working.

Cooking (2/5) 

Sourdough focaccia- yum!

Here's the thing. I love cooking. Love. It. My husband used to feel guilty about how much time I spent in the kitchen, until he realised that I cook as a way to escape real life. But I have reluctantly come to the conclusion that it is not good for sparking the writing bug. I become so engrossed in measuring, stirring or worrying about whether there's too much or too little cumin in a dish, that I end up replacing stress over whether my writing is any good with stress over whether my cooking is any good.

Getting outside (3/5)

If lockdown has shown us anything, it's the value of being able to get some fresh air. Whether you prefer to jog, cycle, walk or garden, getting outside is so important to mental health. I don't think I need to say much more about the health benefits of some daily outside exercise. For writing, I find it less useful. A long, lonely walk is the only type of exercise that tends to give me plotty brainwaves, but most of us can't spare several hours a day. I've taken to puffing away with Couch to 5k or taking a scenic detour on my bike on the way back from dropping off my daughter at nursery - they don't tend to give me the headspace to work out writing problems, but they do give a much needed energy boost.

I embroider more slowly than a sloth

Doing something creative, badly (4/5)

We spend so much of our time as authors trying to perfect our craft. We spend months, sometimes years, tweaking our writing until we don't think we can make it any better. And then we send our words out into the world to be loved and rejected, and the rejections always hit harder than the compliments. So it can be liberating to do something creative that isn't going to be judged. I've recently taken up embroidery and writing poetry (I heartily recommend How To Grow Your Own Poem by Kate Clanchy). Am I good at either of them? Absolutely not. But I try to do one of them every day, just to remind myself of the simple joy and sense of achievement of making something for myself. Lifting that pressure of trying to do something perfectly has meant that I'm more willing to get stuck in to my 'proper' writing - because I'm less afraid to fail.

Journalling (4/5)

Bullet journalling has become a real trend of late. When Buzzfeed starts making videos about something, you know you're in the zeitgeist. A friend tempted me over to the dark side a few months ago, and I now have drawerfuls of washi tape. I've leaned in hard. If you're a to do list kind of person, you might find that journalling helps your sense of organisation and control. It's been a game changer for me: I was getting daily headaches and couldn't work out why... until I started to track my water intake in my journal and realised I'd been drinking two glasses of water a day on average. My brain was, as a friend so kindly put it, a desiccated husk. Now that I'm ticking off my water intake as I go, thereby making sure I'm drinking enough, the headaches have cleared up, I'm not as tired and my head is clearer than it's been in years. Instead of browsing the Internet before bed, I write out my plan for the next day, decorate it in ridiculous numbers of stickers with cliche motivational quotes. And instead of feeling as though I've eaten the equivalent of an entire tub of mini-rolls, which is what I used to feel like after an adventure through Reddit, I feel as though I've drunk a cleansing green tea.

Yoga (5/5)

I've suffered from chronic back pain since the start of the year, as though it was an omen of the awful things to come. At the beginning of lockdown I decided to sign up to a friend's online yoga course ( in case you're interested!) - I'm not the biggest fan of having to travel to such classes but love the community feeling of taking classes with other people instead of via a pre-recorded, impersonal YouTube video. I've slowly built up to taking at least a short class every day, and the difference to my back pain has been remarkable. For a lot of writers, pain associated with a sedentary lifestyle is a real problem. I can't recommend stepping away once or twice a day to do some gentle twists and stretches enough. Beyond the physical benefits, the meditative quality of my yoga classes (these are gentle classes; I'm not trying to become a contortionist) has seen me come up with the solution to many a writing problem in the middle of a downward dog.

So this is my resolution for the dregs of 2020: to embrace procrastination. Guilt and shame are such useless emotions and anathema to creativity. As of now, I'm banishing them and spending more time practising my stem stitch and mountain pose. Perhaps you'll join me?

Holly Race worked for many years as a script editor in film and television, before becoming a writer.

Her debut novel, Midnight's Twins, is published by Hot Key Books. She also selectively undertakes freelance script editing and story consultant work.

Saturday, 25 July 2020

A recipe for a YA fantasy sequel - Holly Race

The deadline for the first draft of my second novel is looming, so I'm keeping my post short this month! Here you have it - my very own recipe for writing said sequel:

- Take one (1) Chosen One trope, established in the first novel. Subvert.

- Extract the world building from the first book, add a little more context and lore, knead and allow to rise for a month or two until bubbly.

- Blend plot and character arcs together until thoroughly combined. Add the world building and bring all together in a nice messy gloop.

- Marinade a handful of secondary characters until they are established and likeable. This will be made harder by the fact that you killed off a load of them in your first book and now need to create new ones. Stir into the mixture in the knowledge that only a few will survive to the third book.

- Crack three fight scenes and a battle into the mixture one by one, making sure each of them is more ambitious than those in the first book, despite the fact that when you wrote the first book, you went all in.

- Decide that you don't have enough storylines and decide to include a mystery plot, ostensibly for complexity of flavour but also because you just love a good mystery.

- Add one (or two) romances into the mix, for sweetness, and fold in lightly.

- Bake for a year, turning the temperature up to 'anxiety and panic' for the final week.

- Decorate with a pretty cover and atmospheric blurb, and present next to your first book for comparison and judgement.

Saturday, 27 June 2020

Publication Day in Lockdown - by Holly Race

I had been warned. So many people had told me: 'Don't be surprised if at some point on your publication day, you stop and think I'm really unhappy.'

I had been warned, and I was prepared. I spent a large portion of the week in the run up to the publication of my debut novel, utterly miserable. Get into the right frame of mind early, I told myself, then you won't be disappointed on the day. A friend invited me out on a socially distanced walk, where I moaned to her the whole time. When the Whatsapp group I'd set up months previously excitedly asked what our plans were for a Zoom launch party, I half-heartedly passed on the organisation to my husband. I fretted that my best friend had suddenly become less available to chat, now, in my time of need.

In short, I was awful.

The day arrived. I attempted normality: toddler up, milk given, ready for nursery. I was watering the garden when the doorbell rang.

'Something for Holly!' the DPD driver chirped, indicating a flat parcel on the porch. Inside: a silver box, beautifully illustrated. Inside that, an array of chocolates, each one delicately iced with flowers and letters: 'MIDNIGHT'S TWINS BY HOLLY RACE'. The card told me it was from a scriptwriter who I've never met in person. We have been working together remotely since the start of the year, and I was starting to think of her as a friend, but this - this was beyond normal six-month friendship. But she knew how much the book meant to me, and being a writer herself knew how much of one's soul you can pour into your work. I message her effusions. Her response: 'I'm just glad they didn't forget the apostrophe.'

Then my husband approaches. 'You know that parcel from Germany that arrived the other day?'

'The one I teased you about being even more camera equipment you didn't need?' I say.

'Yeah.' He hands the box to me. Inside is a heavy, enamelled pen. Engraved on the lid: today's date. 'For all the book signings you're going to do.'

I'm already welling up a bit, so I cover and show husband my thanks in the form of several badly decorated cupcakes. I'm interrupted in my baking by a socially distanced visit from my parents, who have gently supported my writing hobby since I, aged five, wrote 'The Mirror Girl', about a girl called Holly whose reflection stepped out of the mirror and caused havoc in her name. They bring that story with them now, and hand me an envelope containing a sketch of a horse - horses are an important feature of my book - by a prominent artist.

So many instances of kindness and generosity. I realise, once my parents have left, that I have only felt warm joy today, my anticipated disappointment balmed by my loved ones' excitement.

I spend my afternoon cycling to my nearest friends to give them the aforementioned questionably decorated cupcakes. When I get home we order takeaway and, in anticipation of tonight's Zoom party, I brush my hair for the first time in three days. I like to make an effort.

When the time comes to open Zoom, I am expecting to see a small but lovely gathering of familiar faces. As it happens, not everyone will fit onto our screen. Fifty friends and family members have turned up. It's more people than I've seen in one place since my sixth form leaver's do, let alone since lockdown.

That's when things start to get weird. My tech-savvy husband begins tinkering with the laptop - in itself this is not unusual, but when combined with the expectant silence of my friends, my spidey senses are tingling. Husband presses 'play' and suddenly my best friend's unavailability over the last couple of weeks is explained. He had been making this:

When the video ends, I'm directed towards the doormat. Lying there is a copy of my book, filled with messages from friends and family across the country. Alongside it: a package containing a necklace that appears in Midnight's Twins and an enormous chocolate cake, complete with a fondant copy of my book, decorated in painstaking detail.

Over the course of the next few hours, as I get gradually merrier on elderflower champagne, the logistics of how they did this are explained to me. That walk I took with my friend? Engineered so that my best friend and husband could finish the video. Socially distanced meet ups in a Cambridge park, with friends driving in from the Fens to leave a message in the book. A drive around London, carrying not only the book but hand sanitiser and masks to ensure Coronavirus safety. And so many postcards and messages sent in from further afield to be slotted into the pages. I don't let myself read all the messages in front of my friends, because I know I'll end up a blubbering mess.

Later that night, when everyone else has gone to bed, I open it up and read the messages in private. Half my friends barely read at all, most of them are not particularly interested in young adult stories. This is true friendship, of the kind I never thought I'd have and certainly don't deserve - not if my behaviour over the last week is anything to go by, at least.

Over the next few days, friends visit my garden to help me eat the chocolate cake. The chocolates sent by the writer friend dwindle; iced flowers first, then the ones bearing letters. I put the necklace away, to be worn when I see people or take book-related photos. But nothing will ever replace the gooey knowledge of how my friends and family turned what was set to be an anti-climactic lockdown publication into one of the best days of my life.

Wednesday, 27 May 2020

A day in the life of a writer in lockdown with a toddler - Holly Race

6am - Alarm goes off. Snooze it several times during early morning browse of Netgalley and Goodreads. My first novel is being published on 11th June and I have not yet found it within myself to heed my fellow authors' advice to step away from the reviews, Holly.

6:30am - Reluctantly get up and even more reluctantly do some yoga to ease the toddler-related back pain that has been plaguing me since the second week of lockdown.

7am - Load up and speed write 500 words of second novel, keeping an eye on the baby monitor for signs of movement. For those not in the know, 4thewords has been my lifesaver during lockdown. I have always found it best to write early drafts as quickly as possible, and using programs or games that encourage me to type against the clock are the best way to get me to ignore my inner editor. 4thewords is extra brilliant because every word you type helps to fight monsters and buy equipment like golden chests and raw gold. A good one for writers who also enjoy D&D.

8:30am - 2-year-old daughter wakes up and demands Peppa Pig for the first - but not last - time today. My feelings on Peppa are very similar to Stanley Tucci's, but if it keeps her occupied for twenty minutes then I'm not complaining. I spend my time well, browsing Netgalley and Goodreads just in case anyone's posted a review in the last two hours.

9am - Attempt to fool the toddler into believing that Duplo, train tracks and serving cake to her soft toys are every bit as exciting as they were when we started playing them nine weeks ago. Eventually give up and let her daub the kitchen in paint while I catch up on emails.

10am - Bribe toddler with raisins to get her to behave while I call my cousin on Zoom. We moan at each other for thirty minutes solid. It feels amazing.

10:30am - Say 'tag!' cheerily to husband as he gets off his morning work calls and lie to him that 'she's in a good mood today'. Maybe if he goes into it with optimism it'll rub off on the little one. Speed write another 500 words on 4thewords while husband and toddler run backwards and forwards past my office door. Defeat a 'Wignow', which looks like a cross between a hedgehog and a gerbil. Would quite like one as a pet.

11am - Facetime with a scriptwriter who I am doing some freelance editing work with. The majority of our dealings have occurred during lockdown so we've never met in person, but we have already shared in depth details of our various bodily pains, and photos of ourselves wearing onesies. She's brilliant and I am a bit in love with her.

12pm - Retrieve obligatory lockdown homemade sourdough from the bread bin and attempt to persuade the toddler to eat some with poached egg. Eventually give in and hand her a fruit pouch. Husband and I make comforting noises but share dispirited glances: she is regressing during lockdown and it's making us feel like utter failures.

1pm - Read The Gruffalo and If I Had a Dinosaur for the millionth time. Share a cuddle with toddler as she tries to convince us that she can fall asleep in our bed. Heart swells as she scrunches her eyes up and makes loud breathing noises. Gives up after three minutes, licks my nose and giggles loudly. We take her to her cot, tuck her in and close the door. Agree that she really is the cutest. Especially when she's asleep.

1:30pm - Attempt to write while listening to toddler babbling away happily to herself upstairs. It's becoming abundantly clear that she is ready to drop her lunch nap. Reader, we are not ready for her to drop her lunch nap. Give up on writing and read 'The Bookseller' instead, adding a multitude of books mentioned in its pages to my already bulging Amazon wishlist. Ten weeks ago I had somewhat foolishly imagined that lockdown would give me a chance to catch up on my reading pile, apparently forgetting that I have several jobs and a sproglet.

2:30pm - Give up on all pretence of work and spend twenty minutes eating crisps and watching clips from The Greatest Showman on YouTube,  just to admire the perfection that is Zendaya.

3pm - Admit that toddler is not going to sleep and let her drink milk while watching CBeebies. Browse Netgalley and Goodreads - it's been a whole five hours, after all.

3:21pm - Surprise delivery! The proofs of my book have arrived! They've been stuck in a warehouse since the start of lockdown and I actually received the finished copies a few days ago, but this is still thrilling! Persuade toddler to hand me the books one by one so I can arrange them on my bookshelves. Only a few get creased covers in the process.

4pm - Husband takes toddler out for a walk while I attempt to write another 1000 words and write five blog posts and record a video for my publicist and read a script for a production company. I manage 200 words, a bullet point and a social media browse before he returns.

5:30pm - Take toddler into the garden while husband returns to work. Get her to load the mealworms into the bird feeder because I am creeped out by them and she isn't. Try to convince her that watering herbs is a fun game.

6pm - Concede to toddler's demands to watch 'Hey Duggee' and retire to the kitchen to make dinner. Try to listen to podcasts for intellectual stimulation but instead can only hear the distant beat of 'Stick stick stick stick sticky sticky stick stick' coming from the sitting room.

6:30pm - Sit down for dinner. Attempt to discuss news and work with husband but just end up explaining thirty times in a row why toddler can't get down from her high chair until we've all finished eating.

7:30pm - Begin bedtime routine. Read entire collection of picture books before toddler finally concedes that she is actually quite tired.

9pm - Tidy house in manner of zombie and collapse onto sofa to answer emails, Zoom friends and cry quietly about how little work we have actually got done today compared to how much we needed to get done. Briefly consider trying to write a bit more but admit defeat.

10pm - Go to bed, but spend at least an hour refreshing Netgalley and Goodreads in a cloud of self-reproach before finally falling asleep.

Holly Race worked for many years as a script editor in film and television, before becoming a writer.

Her debut novel, Midnight's Twins, is published by Hot Key Books on 11th June 2020. She also selectively undertakes freelance script editing and story consultant work.

Monday, 27 April 2020

Dystopia in a dystopian world by Holly Race

On a recent Zoom meeting with someone who works in television drama, I found myself discussing the mood of the nation, and realised that the book I am writing doesn't fit in at all.

There was a definite sense that the dark, gritty crime shows and thrillers that have been keeping us hooked for years were not necessarily what people wanted to see right now; that people would be looking for more uplifting stories. And who can blame them? In a time when so many are frightened and lonely, sometimes ill or angry, we just want to cuddle up with the hot water bottles of literature and TV and film. I can relate - I signed up to Disney+ with the intention of watching The Mandelorian and have instead imbibed the endlessly optimistic Diary of a Future President. I've resorted to comfort reading the stories of my childhood - Carbonel, Charlotte's Web and The Snow Spider.

'But where does that leave me and my semi-dystopian novel featuring an angry heroine?!' I wailed to the TV person.

And then I thought about that fact that some of the most powerful moments in my favourite books are those glimmers of light in the darkest moments. The salute of District 12 in response to Katniss volunteering as tribute; Isabelle's silent, relieved acceptance - her hand placed over another's - in Jennifer Donnelly's Stepsister; the warming hug of a little girl in Philip Pullman's exquisite Clockwork.

As Anne wrote below in 'Hope in a Scary World', there are moments of light in this crisis - and humans have the incredible ability to generate such moments. It's a yin and yang. We create buoys for ourselves proportionate to the strength of the current trying to drag us under. Feeling powerless and lonely? Go into the street and clap. Worried about running out of food? Start growing fruits and herbs on the windowsill.

Closer to home, one friend sent me a handwritten letter, and in return I sent him a DVD of a film we'd meant to watch together at my home. Instead we watched it apart but at the same time, connected by Whatsapp and Frances O'Connor's brilliant interpretation of the much-maligned Fanny in Mansfield Park. Neighbouring friends have set up a socially distanced cake run, to spread a little sugary love (while our stocks of flour last).

Humans are brilliant, aren't they?

So I went to work. My first book is being published in June, and I'm deep in the middle of drafting the second in the trilogy now. It's a darker book anyway - I don't think it will be a huge spoiler to say that the villain's forces are growing stronger. It's all too easy for me, in my own moments of anxiety and depression, to lean in to my heroine's anger and fear.

But with all of those fresh memories of our ability to find light in the darkest of times, I have been trying to allow my characters to do the same. Those flashes of light may only be momentary, but they're enough to illuminate the path forward - whether that's a shared moment of connection with a love interest or friend, saving a frenemy from certain death in a battle, or the simple act of sharing their last cup of self-raising.

Holly Race worked for many years as a script editor in film and television, before becoming a writer.

Her debut novel, Midnight's Twins, is published by Hot Key Books on 11th June 2020. She also selectively undertakes freelance script editing and story consultant work.